Clarinet Reeds What To Buy

Which Brand, Size, Hardness, and Style is Right for You?

Choosing the right kind of clarinet reed is important. This article explains the differences between reeds and how to choose the reed that will help you play your best!

Buying reeds for a clarinet is not the most simple of decisions. There are many different manufacturers of clarinet reeds, each with a different method of grading and cutting their products. While it is simple to assume that any old clarinet reed will do the job, it is important to know some specifics about the clarinetist rather than simply buying the cheapest box of reeds on the shelf.

Experience and Hardness Are Related

All manufacturers of clarinet reeds grade their reeds based on the relative hardness or rigidness of the reed. The higher the number on the reed, the stiffer the reed is and thus, the more difficult it is to get it to vibrate correctly when fitted on the mouthpiece. Beginning clarinet players often start on #2 or #2 ½ reeds, the softest reeds that are commonly available in music stores. As the clarinetist improves and develops their facial muscles, a band director will often move the clarinetist to a harder reed. By the end of the first year of playing most clarinetists will be able to play well on at least a #2 ½ reed, possibly even a #3. By high school most clarinetists will be asked to use #3 reeds, with more advanced players using #3 ½ or even #4 clarinet reeds.

Clarinet Reed Materials

Most clarinet reeds are made of a thick woody breed of grass known as cane. In order for the reed to play properly it must be wet, hence the reason most clarinet players will put the reed in their mouth for a few minutes before putting it on their mouthpiece. Some manufacturers also make reeds from a synthetic material similar to plastic. Sold under the brand names such as Fibracell or Legere, these synthetic reeds have the flexibility of cane reeds without the need to soak them. They are used primarily by musicians who play on more than one instrument and by clarinetists who play outdoors. Synthetic reeds also tend to be more uniform in quality than cane reeds (see Buy The Whole Box below). Synthetic reeds tend to be much more expensive that traditional cane reeds but also last longer when properly cared for.

Buy The Whole Box

Professional clarinetists will profess to the fact that out of a box of twenty reeds you will almost always have a few bad ones. Cane reeds are essentially made of wood, and the cane from different plants will have different properties. Whenever possible buy a full box of reeds. Not only will it let you pick through the box to find the best ones but it will also make sure that you have an extra reed when you need it.

Chad Criswell, Tracy Criswell

Chad Criswell - Chad Criswell is a professional educator and freelance technology writer for numerous online and print publications throughout the United ...

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Comments

Aug 22, 2008 3:29 AM
Guest :
I received my new clarinet and was immediately intimidated by how hard it was to blow. After a hour, I put it back in the case dissapointed. Now, after reading this article(I had no instructions beforehand) I'm enlightened and I think I'll try it again...thanks for the insight.
Oct 9, 2008 2:03 PM
Guest :
thanks for this I am just now learning how to play
Oct 22, 2008 6:03 AM
Guest :
the strenght of reeds are NOT based on how much skill you've got. its all about what mouthpiece you use!
i know very good pro clarinetists who play on vandoren trad. #3 aswell as i know the ones who plays on #5.
and they are both great musicians.
its wrong to make the students think that the degree of reed determines ones skill in clarinetplaying, but sadly there is just to many band directors who push young clarinetists to BITE which is the worst thing there is! allmost like burning a bible to a christian!!!!!

thekrullo@gmail.com
Feb 6, 2009 12:44 AM
Guest :
I also agree that it's not right to qulify the palyer by the reed strength. My instructor is a performing clainettist with 30+ years of playing experience. He uses Vandorens #3 and sound great.
I also read on the web the New Orleans clarinettists who mostly played on Albert system clarinets often used soft reeds, down to #1.

It also would be incorrect to skip the MP design. Generally a MP with large tip opening will require softer reeds and small tip opening harder reeds.

Softer reeds will allow the player to extend their dynamic range easier but it will be more difficult to get the upper register in tune.
Jun 24, 2009 12:04 PM
Guest :
I have to disagree - while the greats do use a variety of reeds, it is much easier when starting off to start with a lower number. I began playing when I was 10 years old (I'm now 23), and I can say with full confidence that a #2 reed was the easiest to learn on, and it took many years before I had good sound quality with a #4.
Sep 4, 2009 7:54 PM
Guest :
My names Marissa and im 11 years old and i go to fertitta middle school..........Well i know i want to play the clarinet because its most common for beginners.Well i need reeds and my mom bought me a clarinet orr ebay but she has no idea what size we should buy????I bought a standard clarinet 2010 brand new and i atleast need 4 reeds in school or my grade will go down!!!!!!please help
Sep 22, 2009 4:35 PM
Guest :
As the streangths go up the thicker it is and the harder it is to blow.
Nov 30, 2009 9:35 PM
Guest :
I have been playing the clarinet for 14 years... and I didnt know this much about the reeds i'm stll playng with what i started.. i'm going to get thicker reed.. my high notes are really raspy, and i think a stiffer reed will be beter!
Feb 19, 2010 12:35 PM
Guest :
I am a professional clarinet player (20+ yrs experience) and must admit, the thicker reeds have the potential to give you a richer sound, simply because there is more material there to vibrate (and when you adjust or "work on" your reeds, more material to work with). However, younger players shouldn't take that to mean that they should move up to stonger reeds "just because it means I'm a better player." If you experiment with different strengths occasionally, you will find the right one for you. Don't get stuck on one forever, and don't try to move up if you don't need to yet--you could get very frustrated trying to play on a reed that feels like a popsicle stick!
Feb 24, 2010 10:30 AM
Guest :
Just what I was looking for! I'm a clarinet newbie (just ordered one) and had no idea what the numbers on the reeds meant or which ones I should start with. Thanks!
Feb 28, 2010 2:34 AM
Guest :
I've played the clarinet for about 1 and a half years. I started with a #1 and gradually moved up. I can now comfortably play a #2 1/2 reed I had no trouble starting on a 2 1/2 reed. But I bought a #3 reed the other day and I have to blow really hard to make a sound and it's really quiet - mostly sounds of the air going down te instrument. Will I ever get used to it?? :(
Mar 2, 2010 4:11 PM
Guest :
i am a beginner (second year) clarinet play and am already as good as people that are 2 grades ahead of me and started on a 2 and am now on a 3 so i dont think its skill that determines the reed strength you should use but it is how well your emboucher and your mouthpeice
May 5, 2010 8:01 PM
Guest :
I don't think this article meant that using a lower number reed means that the instrumentalist is inferior, but only to infer that a lower number reed is more pliable, and therefore easier to learn on. By saying that experience and hardness of reed are related, this article means that an experienced player will better be able to get good sound from a harder reed.
Jun 26, 2010 2:05 PM
Guest :
I am an advanced player and I always like to play a new reed every 2 weeks or so just to give me that fresh sound and also i like to play on a 4.5 or 5.
Jul 2, 2010 9:20 PM
Guest :
Thanks. I have been playing the clarinet for three years now and still am having a hard time to find the right reed.
Aug 23, 2010 9:50 PM
Guest :
I've been playing clarinet for 7 years, I'm now a Junior in highschool, and I started out on a 1 1/2. I'm now on a 4. I do believe that if you're a beginner, a softer reed is easier to use, simply because it's not as hard on one's mouth. Of course, I still blow my chops out every once in a while...my band director overworks us. :) But we're a small band with a huge sound, one of the best highschool bands in our area. ^^
Sep 15, 2010 12:54 PM
Guest :
i wanted to know how to purchase or order clarinet reeds my daughter is playing the clarinet and needs reeds
Oct 14, 2010 2:06 PM
Guest :
I've been playing the clarinet for 7 years and I'm on a 4 1/2. It doesn't necessarily dictate whether or not you are skilled, but it's indisputable that the higher numerically valued reed does sound richer in sound, it also helps to clarify particularly high notes, and give them a much better tone.
Jan 13, 2011 2:33 AM
Guest :
Unfortunately, reeds are not as simple as the author has suggested. Unfortunately there are many conflicting opinions about reeds. I will give my thoughts here

For a first-ever box of reeds, I suggest a student ask their instructor for a specific recommendation. As an amateur player of 40 years, if I had to recommend a first-ever box of reeds, it would be Rico Royal #2 - easy to find, inexpensive, not horrible quality, and probably about the right strength.

The author is correct in that a rank-beginner will need a softer reed because the embouchure hasn't developed. However,this effect only applies for the first few years. The best players do not necessarily use the hardest reeds

The preferred reed-strength is also determined by the characteristics of the mouthpiece. Makers of mouthpieces will often recommend different strengths of reeds for different models of mouthpiece. Right now, I have one mouthpiece that seems to work best with a #2's and another that works best with #3's.

Even on the same mouthpiece, two good players may prefer different reed-strengths. It's like picking out a pair of shoes - some just fit better than others.

After a student has developed an embouchure, a run-of-the-mill mouthpiece will likely work best with a 2.5 to a 3.5 reed. Be warned, many hours and many dollars can be spent trying out reeds and mouthpieces. Take the advice of your instructor until you are comfortable making your own choices.

As the author pointed out, there are usually a couple reeds in a box that just don't work well.
Sometimes it is difficult to tell if there is a problem with the reed or the player. That's why I like to use a reed case that holds at least four reeds. I rotate through the reeds when I play. If one reed dosen't seem to work, I try the next one. If just one or two reeds aren't working then I throw them out. If none of the reeds are working well, then the problem is likely with me.
I hope that helps.
Feb 21, 2011 7:17 AM
Guest :
I've been playing clarinet for 7 years now. I started on a 2 1/2 Rico, because a 2 1/2 Vandoren was really very difficult for me to get sound out of. I'm now a senior in high school and I play on a 2 1/2-3 Vandoren... though I'm now just trying to stay in the 3's. I almost never have issues with intonation, even in the high notes, so it works for me.

That being said, softer reeds are really good for jazz band.
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